Tuesday, 20 April 2021

Sparkle Division ‎– To Feel Embraced (2020)

Genre: Electronic, Jazz, Funk / Soul
Fomat: CD, Vinyl, FLAC
Label: Temporary Residence Limited

01.   You Go Girl!
02.   You Ain't Takin' My Man
03.   For Gato
04.   Oh Henry
05.   To The Stars, Major Tom
06.   Oh No You Did Not!
07.   To Feel
08.   To Feel Embraced
09.   Slappin' Yo Face
10.   Mmmmkayy I'm Goin' Out Now And I Don't Want Any Trouble From You!
11.   Queenie Got Her Blues
12.   Sparkle On Sad Sister Mother Queen
13.   No Exit

Double Bass, Violin – Henry Grimes
Voice – The Queen of Williamsburg, Mrs. Leonora Russo, Xeli Grana
Executive Producer – William Basinski
Producer – Preston Wendel, William Basinski
Written By, Performer – Sparkle Division

Timing’s a funny thing. For those who primarily know William Basinski for sprawling ambient works like The Disintegration Loops, our current state of flux might seem like it’d be perfectly soundtracked by another in his long line of dislocating, diffuse audio essays. We’ve all been isolated and introspective, right?  

Happily, Basinski knows better. He and his collaborator Preston Wendell have been sitting on To Feel Embraced, their debut record as Sparkle Division, for a while, and only now have chosen to release it. Apparently, they had reservations about dropping what they saw as a “euphoric” album into an increasingly troubled world, but as Basinski commented recently, “Well, damn it, if the time ain’t right now, it never will be!”

It’s a totally disarming listen – though “euphoric” doesn’t quite seem the right word – a disorientating cocktail of lounge jazz, hazy psychedelia, warped funk and misremembered Studio 54 hedonism. Against the odds, it’s pretty much perfect. 

There are traces of Basinski’s former work in the delicacy of the production, the vinyl hiss and pulsating compression betraying the soundworlds in which his previous interests have been focused. One can also pick out intermittent shades of influence here and there – Leyland Kirby’s work as The Caretaker looms over some of the sleepwalking jazz arrangements, and there are parallels to be drawn with the wistfully overdriven nostalgia of Aidan Moffat’s Lucky Pierre records – yet taken as a whole Sparkle Division feels like something very distinctive indeed. The unobtrusive conventions of 21st century ambient music, and particularly the more vaporwave-adjacent strands of the contemporary classical canon, are upended, their glazed inertia replaced by a maximalist approach to making you relax, forcing a good time out of you rather than allowing some more abstract euphoria to do the heavy lifting. Considering such abandon has been rather hard to come by in recent months, it’s hard to resist.
Luke Cartledge / Loud And Quiet