Showing posts with label Howlin' For Judy. Show all posts
Showing posts with label Howlin' For Judy. Show all posts

Thursday, 23 May 2019

Jeremy Steig ‎– Howlin' For Judy (2008)

Style: Soul-Jazz, Contemporary Jazz, Free Improvisation
Format: CD
Label: Blue Note

Tracklist:
1.   Howlin' For Judy
2.   Mint Tea
3.   Alias
4.   Waves
5.   In The Beginning
6.   Nardis
7.   Permutations

Credits:
Bass – Eddie Gomez
Drums, Percussion – Don Alias
Flute  – Jeremy Steig
Producer – Sonny Lester
Reissue Producer – Michael Cuscuna

"Howlin' for Judy" is flutist Jeremy Steig's best-known track, thanks to the Beastie Boys' use of a sample from it in "Sure Shot." As the title track for this collection, it marks new chapter in Blue Note's Rare Groove series. This seven-track set is compiled from two different albums: 1969's Legwork, which appeared on Solid State, and 1970's Wayfaring Stranger on Blue Note itself -- both of which were originally produced by the great Sonny Lester. Blue Note's Michael Cuscuna produced this collection by paring down the original albums to just the tracks that featured the trio of Steig, bassist Eddie Gomez, and drummer Don Alias. Why? In order to maximize its groove quotient; Legwork had its share of duo cuts and Wayfaring Stranger had some that featured a quartet with guitar. That said, the previous outings were quite adventurous in places: they contained various blues, ostinato workouts, and more ponderous numbers, too. Cuscuna pruned away until only the deeply funky, beat-driven trio tracks remained. That said, there is plenty of adventure -- not just in the music, but in its production: Steig was a fan of stereo separation and overdubbing techniques that were focused to maximize the rhythmic aspects of certain tracks. His own playing style is a great cross between Hubert Laws' more soulful technique and the dynamically rich and physically percussive aspects of Rahsaan Roland Kirk -- both rhythmically attuned players. While many are familiar with the title cut with its two-channel overdubbed bass and flute, far fewer punters know Steig's wildly groove-drenched sound world from the era. What a treat! You are the person this compilation is directed at. 
Thom Jurek / AllMusic